Book Review: Foucault's Death and the Labyrinth
A detailed reader's guide to Michel Foucault's Death and the Labyrinth: The World of Raymond Roussel — tracing the book's internal logic across its eight chapters, explaining Foucault's key concepts, and offering specific suggestions for improving the Chinese translation by comparing it against the English edition.
《雷蒙·鲁塞尔》书评
注：本文是我为方便其他读者理解福柯的《雷蒙·鲁塞尔》一书而对其内在脉络的梳理（除了第一章）与外在的写作背景的补充，以及我作为一个不会法语的英汉双语读者（相信大部分读者都和我一样）对此译本的一些修改建议。
Abe Kōbō's The Box Man: A Labyrinth of Fiction That Subverts Reality
A comprehensive close reading of Abe Kōbō's 1973 novel The Box Man, tracing its metamorphosis-and-transformation motif back to his 1949 debut Crab Cactus, mapping the novel's intricate structure of 22 chapters plus two newspaper clippings, and analyzing its shifting narrators, unreliable narration, and layered fictional worlds as a meditation on identity, voyeurism, and the 'pseudo-identity' of modern existence.
分析拉斯洛·克拉斯诺霍尔卡伊《手艺的终结》
立场：与许多不甚了解日本近现代历史的声音所坚称的那样不同，三岛由纪夫在任何意义上都并非一个法西斯主义者或军国主义者，于政治层面而言，他甚至都不能被简单地看作是日本右翼势力的一分子。
Krasznahorkai's The End of Craft — Anti-Mishima Aesthetics
Analyzing Krasznahorkai's deconstruction of Yukio Mishima's aesthetic system — how Krasznahorkai dismantles Mishima's classicalist tripartite unity and replaces it with narrative entropy across three anti-Mishima dimensions: narrative, narratological, and metaphysical.
Salo: 120 Days of Sodom — Film Review
A review of Pasolini's masterful adaptation of de Sade — examining its austere naturalistic cinematography, spatial symbolism, sound design, and the cultural critique embedded in its fusion of Sade, Nietzsche, and Italian fascism.